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Specifications
Driver: 10.2mm Full-Range Dynamic Driver with Passive Radiator
Diaphragm: 80+ Layer Dual-Sided Titanium Sputtered
Magnet: Dual Neodymium (9000 Gauss Flux)
Housing: CNC Aerospace-Grade Titanium Alloy
Frequency Response: 20Hz – 20kHz (±1dB)
Sensitivity: 115dB @ 1kHz
Impedance: 45Ω
Cable: 1.5m, 4-Core High-Purity OFC, 4.4mm Balanced

Design Philosophy

The E1000 challenges the boundaries of portable audio by introducing the philosophy of "Near Field Speakers" into an IEM. We treat the acoustic chamber as a room and the driver as a speaker, allowing natural airflow and cavity coupling. The result is the scale, dynamics, and density of a grand system, encapsulated in titanium.

Craftsmanship

The chassis is CNC-milled from a solid block of titanium alloy, featuring a micro-matte finish that diffuses light with a warm, restrained glow. The faceplate mirrors the precision of haute horlogerie—a concave copper-gold element surrounded by stereo-cut guilloché patterns. An irregular pentagonal structure defines its silhouette: clean lines, sharp boundaries, and an unyielding industrial aesthetic.
The Acoustic Engine
At the heart of the E1000 lies a 10.2mm full-range dynamic driver, powered by a dual-neodymium magnetic circuit generating a staggering 9000 Gauss flux density—rivaling Tesla-grade systems. This immense power grants the E1000 effortless control and explosive transience.

Using Physical Vacuum Direct Current Magnetron Sputtering, we deposit over 80 layers of titanium onto the diaphragm. This creates a surface that is incredibly light yet rigidly distinct, capturing the finest overtones while stabilizing ultra-high frequency energy.

Acting as a "tuning rudder," the auxiliary passive radiator controls the waveform trajectory of low frequencies. It ensures bass that is deep and powerful, yet clean and elastic—never muddy, always breathing.

Customer Reviews

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Neil S.
1st 15 minute impression

My 10 minute E1000 listen comments just posted on Audio Geek US Tour WhatsApp chat group.
LISTEN UP; 84 years old,mostly deaf....1st 15 minutes.

1. No boom. Extremely extended bass with incredible articulation.
2. Staging excellent. Not particularly wide but EVERY instrument has its own space.
3. Highly holographic. You can literally hear 360 degrees around each note.
4. VERY nuanced and detailed. Highly balanced frequency so you hear incredible detail from 20hz to 20khz (slight exaggeration)
5. Musicality suffers a little due to extreme articulation. I can clearly hear crisp front of note attack with long decay.
6. It takes a few minutes, even for my dear ears, to get adjusted to the micro detail
7. Definitely not an orchestra seat. You are on stage and don't get the harmonic distortion youd normally receive in row 15.
8. I crave detail, but these iems will benefit from a tube pre or amp. I am using my Modwright Analog Bride switching between 6922 and 6SN7 tubes (instantly). It trims a minute amount of crispness but still with extreme resolution.
9. Using my beloved Baroque Stage tips from Eletech. They sound the same whether left alone or lightly pressed in....a good thing.
10. And that's 10 minutes in.
11. Iems are worthy of top tier ONLY IF YOU WANT TO HEAR EVERYTHING.
12. I wanted a dynamic driver iem as I love the attack of my Focal Utopia 22.
13. Packaging (which I don't give a shit about) was designed by a 6th grader on a tight school budget. Just bummed about damaged box primarily because of resale. Hoping Sherry can get me clean box.
Fini