NGaudio METEORA
Driver Configuration:4 Bass (BA),4 Mids (BA),2 Mid-High (BA),8 Treble (EST)
Design:BA+EST Hybrid
Driver Counts:10 BA + 8 EST
Sensitivity:106db SPL@1mW
Impedance:40Ω1Khz
Frequency Response Range:5-70khz
Noise Isolation:26db(CM)
NGaudio METEORA
Driver Configuration:4 Bass (BA),4 Mids (BA),2 Mid-High (BA),8 Treble (EST)
Design:BA+EST Hybrid
Driver Counts:10 BA + 8 EST
Sensitivity:106db SPL@1mW
Impedance:40Ω1Khz
Frequency Response Range:5-70khz
Noise Isolation:26db(CM)
First things first: Andrew, Leo and crew not only offered top notch advisory, but managed to have the Meteora shipped overseas in no time.
The Meteora is not a set one should write about. It has to be listened to. Easy and gimmick marketing statement, one might think. Nope.
No fancy driver-structure under the ultra solid resin hood, just « savoir-faire » from the manufacturer and a deep understanding how music should be played-back out of your favorite gears. Easy to drive? Yes, the Meteora is for sure, but this IEM is a fantastic playground to experiment with eartips, cables, sources and why not external dac & dac/amp. You can color the sound so easily and with such nuances that it would be a shame not to try.
Enough blabla, how do the Meteora sound to me, after 2 intensive days of listening? What puzzles me is the tuning. Slightly warm, yet extremely detailed, the layering and imaging abilities stand out, without any sharp edges in the uppermids/lower treble section (fully subjective opinion ofc).
Long story short, the Meteora are not meant to be a revolutionary IEM set from a driver structure perspective. NGaudio knows how to manufacture very solid resin shells, tight 2pin sockets, but, most importantly, this « in the western world » low-radar company knows how to make their IEMs sing.
I normally only like open back headphones.. but today that has changed… one word about the Valhalla, super..
Personally, considering the driver configuration and the product's release timing, I had a preconceived notion that this product would be a replica of Canpur 752B, so I had no intention of purchasing this product. However, the evaluations of people who purchased and experienced this product made me think that my guess might be wrong. In conclusion, this product is the IEM that I currently use most frequently on a daily basis. As a bonus, you can get great design elements that other IEMs cannot match and a perfect fit. Thank you to Musicteck for opening the opportunity to purchase such a great product identical to this new one.
Set is absolutely gorgeous and it’s brighter tuning compliment very well already acquired Multiverse Mentor. Thanks to MusicTeck for handling both orders.
Highly recommended.
I am writing this feedback to express my absolute delight with the MASS-KOBO Model 475. After spending quality time with this amplifier, it has completely blown my expectations away and proven to be a phenomenal investment.
As an audiophile who deeply loves the organic, majestic, and rich sound of legendary analog reel-to-reel systems—specifically the iconic Telefunken M10 tube tape machine—I never imagined a battery-powered solid-state amp could evoke that same emotional response.
The Model 475 behaves less like a modern portable device and more like a high-end tube masterpiece. The pure Class A topology delivers a phenomenally holographic and spacious presentation. The midrange possesses that exact "fleshy," liquid, and soul-stirring warmth reminiscent of the classic Telefunken tube sound. It wraps around vocals and acoustic instruments like cello, violin, and piano with an effortless, lifelike weight, while the background remains pitch-black and dead silent. The current delivery and control over transducers are nothing short of masterful.
The MASS-KOBO Model 475 has genuinely elevated my portable listening experience to an elite level. For anyone seeking true desktop-grade fidelity on the go without sacrificing that magical, analog musicality, this amplifier is a masterpiece. 10/10!
So, I’m going to start this review with a fundamental disclaimer. I am 67 years young, and was privileged to live through the golden years of our hobby. Names like Saul Marantz, Avery Fisher, John Dahlquist, and James B. Lansing were not corporate abbreviations, they were the foundational cornerstones of hi-fi.
Over the years, I have worked in some of my locale’s last high-end brick and mortar stores.
That being said, I am not one to use flowery language that continually falls back on the false topics of “soundstage, imaging, width, depth, height, blah, blah, blah. Most of us listen to multi-track recordings that have none of the above listed attributes included in the recording, producing, or mastering processes.
Okay, so what about the Palavox? Simply put, the Palavox are complete game changers.
They’re incredibly comfortable. The included cable is supple and doesn’t tug on my ears. This transducer is as close to having a pair of Dahlquist DQ-10s strapped to the side of my head and ears as I’ve ever experienced!
By the way, Andrew and his staff at MusicTeck have made the lack of a physical store to visit almost meaningless. It is always such a pleasure to interact with him.
Very highly recommended!!!