I have been an audio junkie for as long as I can remember. I have watched components get smaller and simply better when it comes to sound reproduction.
I had read about the RU6 and almost bought it but then I read the RU7 was coming so I waited as I read the RU6 just sucked battery power like crazy.
I have a plethora of desktop and Bluetooth dongles but most of them are what you find on Amazon and work pretty well for what I need them to do.
I decided to "upgrade" to the RU7 so I can use it with my PC and my phone plus, I wanted a bit of a "sound upgrade" on my phone. I seem to have become a bit more discerning (spoiled) when it comes to sound reproduction since my desktop DAC/AMPs are pretty decent. I wanted something portable, sounded really good, and just easier to move around.
The RU7 sound is just crazy good for how small it is. I can plug it into my phone then my PC/Laptop and so forth. The sound is just amazing for the size. It rivals my desktop DAC/AMPs for under 500.00. No joke. What I have been noticing is I am using this little guy more as a desktop replacement. It's just too convenient. I put on a pair of IEMs (or headphones) and just listen to my music and of course, Teams calls if it's on my work laptop. If I need to move it to another system, or my phone, I simply unplug it from one and plug it into the other.
From a sound perspective, it's just really good. The bass, mids, and treble are all done very well for something that fits into your hand. Like, surprisingly good. I love the screen. It has balanced and 3.5. It has drivers for my laptops and desktops and it didn't break the bank.
Some of you might be wondering about the battery draw and I was concerned about that as well. It does draw power from the device. My laptops are almost always plugged in but my phone is not. I have a newer phone and I had it running last week for about 2 hours off my phone, plugged into the balanced port. I was streaming music and noticed, after about 2 hours, that my phone was down 13% from a full charge. So, yeah...something to pay attention to. If you are playing music "locally" from your device you might get less of a draw from the battery.
Open Box. I bought the open box version from Music Teck and as always it shipped fast and looked good as new when I got it. Andrew and his team always answer any questions I have and do a great job when it comes to support. I wish I could afford some of the higher-end stuff from Music Teck but, when I have the opportunity (and the money) I head to Music Teck first. Just a great company to buy from.
Overall, the RU7 was what I was looking for. I have a terrific DAC/AMP that's portable, sounds fantastic, and can be moved around my devices with no issues at all. With how good these dongles are becoming, I wonder just how good the next generation of dongles will be. Do they really replace these large desktops setups? Guess we're all about to find out. For now, I'm just going to enjoy the RU7. What a great dongle.
Prompt delivery and replies for some aftersale query I had with the unit. Audioteck is an amazing seller! My second time dealing with them and there will be more!
I sifted through too many comparison videos and reviews looking for something more natural and perhaps analogue sounding to replace my basic Fiio BTR5. Huge upgrade in sound quality. Also steps up my Fiio K7 Pro's sound using the line out on the Ru7. Very pleased with it!
I'm a recent newcomer to the audiophile scene but I've been lucky enough to listen and try some amazing gear thanks to a dear friend of mine. My first experience was the Sony WM1ZM2 paired with the Oriolus Traillii. This is a great way to be introduced into this world. Well as you can imagine I was immediately hooked. I couldn't afford my dap at first so I bought myself a nice L&P W4. Which is an amazing dongle paired with UM Fabled Sounds I was in a dream world. But I knew I wasn't getting the best I could. So I did some research and settled on the hiby r8 ii. Man, I thought the L&P was doing a decent job and it was. But the Hiby makes everything sing. Every sound is more expansive, clearer, and detailed. And while I liked the Sony, the hiby has a lot more powerful features. There is a lot more control. Also, Andrew really is the best. Now I must get back to listening to music.
Let's start off with CONS:
1) Oriolus only grace the world with only 199 sets.
2) Heavy. It's heavier than OG Traillii and UM AP combines.
3) Pricey.
Love the L shape terminal from new cable. Cable looks very familiar to the PW1960. New cable material consists of pure silver, gold-silver alloy, copper vs 1960 pure copper.
I thought Traillii was perfect. Oriolus somehow manage to improve the vocal and treble. Traillii TI sounds like an open back headphones...very airy.
Warm natural sounds when pairing with Sony M2.
Turn on Hyper and let the bird with titanium wings sings to you if you have Cayin N30LE.
Por el precio que tienen son insuperables y a decir verdad son mis IEMs favorito, no venia con la case Dygnis pero a decir verdad no es importante para ml
It’s been 5 weeks since CanJam NYC. My mission, try as many IEM’s
I left the Grand Maestro until the end of the day.
Sound Impressions:
BASS: Thick, Fast and Deep. The GM has what they call NOAH modules that can be swapped out to change the Bass frequency response, without impacting the upper frequencies, bringing the mids and treble appear to be more forward, through less bass (blue module). This impacts the sub-bass most and leaves the slam of the mid bass region intact. The black module, which comes stock, gives the most sub-bass. This is what many reviewers consider a “Basshead” sound. Having listened to the Scarlet Mini in comparison, I would say the Mini is a “Basshead” set. The GM is, however, not…just a Basshead set.
MIDS: I found midrange to be very well balanced, with both female and male vocals very clear and engaging. Giving the sound signature a slightly warm feel. But this is where Fatfreq has another trick up their sleeve. There’s a toggle switch just behind the 2pin connector. It sticks up about 1mm and allows the listener to turn the bass down on the fly and bring the midrange and treble slightly forward. My listening preference is always slightly warm, but for certain tracks and artists this setting is preferred.
TREBLE: The treble is crystal clear and very well extended, but never fatiguing.
TIMBRE: This is where the GM sets itself above all others I’d heard. The quality of the sound across the entire frequency range was best in class. Every instrument could be isolated with all the details present. 10/10
TONALITY: The balance of the instruments to the vocals is, again, the best I’ve ever heard. It’s like some little man (the crossover) inside working his soundboard, and making the IEM completely in control of the concert in my head. Getting the most out of every last bit of sound detail and making sure no part over powered another. 10/10
SOUNDSTAGE: Ok, this is some next level shit! We’re not talking about a soundstage that was ultra wide. Rather something I’d never experienced before and directly related to the timbre and tonality. Instead of having visualisation of the instruments playing on a stage, it feels like I’m sitting on the stage and Stevie Nicks is singing next to me, Mick Fleetwood is playing behind me and on my other side is Lindsey Buckingham playing his guitar with smooth precision.
SIBILANCE: I’m ultra sensitive to sibilance and have test tracks I use to see just how controlled an IEM is to lower it. Without a doubt the GM is the least sibilant of any IEM I’ve heard.
MASKING: This was probably the biggest and single most distinguishable difference between the GM and anything else I’ve heard on the market. Similar to the experience in soundstage, the instruments and isolated to themselves, making all the details present. On busy tracks that would normally sound like a bunch of different things happening on top of one another, but GM has a magical way of creating a space or protective zone around each musical element. If I could explain this another way, imagine hearing a track recorded in the late 60’s, with its hiss and imperfections, where it sounds like there’s a fog or layer of pollution present that makes everything sound just a bit layered into everything else. Now imagine you take the full stage in dip down into a pool that cleans all of that away, raise it back up and now you hear only the instruments as they were originally intended. The GM takes old tracks and “remasters” them. And takes remastered tracks and makes them even better! 10/10
BUILD QUALITY: Just look at the photos. I was also lucky enough to get the gold upgrade cable thrown into the deal for free! 10/10
CUSTOMER SERVICE: I had heard some stories about problems in the past, but after reaching out to Fatfreq post sales and asking for certain things that were missing from the sale, because it was a floor model and being contacted by Ben himself, I was very happy with how they handled everything. I used to live in Singapore and can tell you the people are amazing!!!
I think some of this has to do with just how much power these IEM’s really need. More than any that I’d tried on the day. Now remember I was driving these with a FiiO M17, a BEAST of a DAP that puts out round 1,500mW on the 4.4mm plug @32ohms. These IEM’s are power hungry! They take every bit of that and deliver it with surgical precision. I spoke with Ben, the CEO of Fatfreq and he told me the M17 is a great pairing for the GM and that they have a few at their HQ in Singapore. They also have a technology called Linear Impedance, which I believe levels the playing field for the different drivers in the set. I think the impedance of this set is 32ohms, but it sure seems like it takes more to drive it than other 32ohm sets I have. This higher impedance and power requirement also contributes to eliminating the background noise, giving a cleaner listening experience.