Skip to content
Free US Shipping on All Orders Over $150
Free US Shipping on All Orders Over $150

UM Unique Melody x MusicTeck - Pentara

Original price $ 4,999.00 - Original price $ 4,999.00
Original price
$ 4,999.00
$ 4,999.00 - $ 4,999.00
Current price $ 4,999.00

UM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - PentaraUM Unique Melody x MusicTeck - Pentara

Specs

Driver Configuration: 1 10mm Dynamic Driver, 1 7mm Dynamic Driver, 4 Balanced Armatures, and 4 Electrostatic Drivers, 2 Sonion BABCD, 1 UM FreqShift Driver

Crossover: 13 drivers, 7-way pure acoustics crossover: 10mm DD for sub-bass, 7mm DD for bass, 2 Sonion BABCD for mid-bass and lower-mid, 2 UM Black Label for mids, 2 UM Black Label BA for treble, 4ESTs for ultra-high, 1 FreqShift BCD for full-range refinement.

Frequency Response: 20Hz-70kHz

Conductor Gauge: 28Awg x2/Conductor

Number of Conductors: 8W shielded. 4 conductors per channel

Shielding: PW latest “Shielding+”

Head-Fi review: Unique Melody x Mustieck – Pentara

Video Review: Unique Melody x MusicTeck Pentara Preview:Review: A Marriage Made In Heaven

Customer Reviews

Based on 1 review
100%
(1)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
S
Sia
Finally Surrounded

Pros:
Truly immersive, spherical soundstage that wraps around you
Exceptionally controlled, addictive bass
Two genuinely useful tuning switches
Can listen for hours without fatigue or discomfort
Outstanding technical performance (imaging, staging, resolution)

Cons:
Bass quantity won't satisfy those seeking maximum rumble

Sources
iBasso D17 (OS/L, AMP/L, Line Out, Volume 95)
Luxury & Precision EA4 (amplifier)

Summary
For context on where I'm coming from: my main priorities are soundstage, imaging, and layered bass—not boosted, just well-textured and controlled. I'm not chasing maximum slam or the most forward vocals. I want to feel like I'm inside the music.
The Pentara checked every box. It's replaced my FiR Audio Radon 6 as my daily driver and effectively retired both my Symphonium Crimson and Unique Melody Asahi. I just don't reach for them anymore.

Sound Signature & Comparisons

vs. FiR Audio Radon 6 (Previous Daily Driver)
The RN6 was my daily for a reason—that Kinetic Bass hits deep, and the soundstage is genuinely wide. But I always felt like the staging was a bit egg-shaped. Plenty of width, not as much depth or height.
The Pentara fixes this. It's the first IEM where I feel like the music actually surrounds me rather than just stretching left to right. The bass doesn't slam as hard as the RN6's Kinetic Bass, but honestly? I don't miss it. The Pentara's low end is so well-controlled and textured that it's become addictive in its own way. Throw on Yosi Horikawa's Fluid and you'll hear what I mean—there's real nuance down there.

vs. Symphonium Audio Crimson
Look, the Crimson is a fantastic value. Fun signature, punches way above its price. But I could never wear it for more than an hour or two before needing a break—partly fatigue, partly comfort.
With the Pentara, that problem doesn't exist. I can keep these in indefinitely. And beyond just comfort, the technical gap is real. Staging, imaging, overall presentation—it's a different league. I haven't touched the Crimson since getting the Pentara.

vs. Unique Melody Asahi
This one's straightforward. I only ever used the Asahi when I wanted something more mid-focused. The Pentara's Switch 1 gives me basically the same thing, so the Asahi became redundant overnight.
I keep the switch set to On most of the time for the extra bass and dynamics. When I'm in the mood for acapella or vocal-heavy tracks, I flip to Switch 1. Works perfectly. The Asahi now belongs to a friend.

Verdict
The Pentara turned out to be exactly what I wanted: the immersive staging the RN6 was missing, the technical chops the Crimson couldn't deliver, and enough versatility to make the Asahi unnecessary. If your priorities line up with mine—soundstage, imaging, textured bass—this one's worth a serious listen.