Lotoo PAW 6000 Reference Grade Portable Audio Player














This is the second lotoo paw 6000 I have purchased from you. Needless to say I would give this portable unit 10 stars if I could. It does everything that I needed to do long battery life exceptional sound in all the categories.
Lightning fast UI and naturally resolving sound with good dynamics...never been happier with my DAP choice! USB DAC is very useful too! Thanks MusicTeck for the recommendation on this one.
Andrew was a pleasure to work with, helping me find a dap that worked with my needs and met my budget. I am very happy with the Lotoo PAW 6000! It is quick and easy to use, and it sounds excellent. The build quality is top notch and it sounds much cleaner than my go blu I was using before and has a dead silent (black) background. The Eq is easy to use in my opinion and a lot of fun. The bluetooth has worked great for me the odd time I want to stream so no complaints there either. If you don't need streaming capabilities I think you would be hard pressed to find a better dap without paying 2 to 3 times the money. The paw 6000 is an easy 5 stars and I would recommend it to anyone looking for a standalone dap.
I got the PAW 6000 to replace my MK1 Lotoo 5000 that finally gave up the ghost, after 6+ years of heavy use. ( actually still very functional, battery gave up, so wont hold charge) - And actually was just thinking of a replacement 5000, upgrading to the current version, as the quirky UI, I was used to, and the sound I was more than happy with.
But then started thinking about maybe an audio upgrade while at it. I looked at the Paw 6000 as this seems to be gathering great reviews, and my pockets definitely have bottoms in, so have a budget, and the paw 6000 , on top of the stella performance and quality accolades, seems to be a great value unit, plus Musictech seemed to offer the very best price I was able to find, so I contacted Andrew, and bit the bullet.
And extremely happy with the player, very intuitive, and customizable, and sounds beautiful, and a solid feeling unit I can easily see keeping me happy for many years. The whole experience, was fantastic, even my concerns of shipping to Canada were settled, Incredibly fast, reasonable postage. So if considering the PAW 6000, or even Misictech, Id recommend both in a heart beat.
First, GREAT service and fast shipping, no-nonsense customs - Thank you Grace!
The Lotoo PAW 6000 is an excellent value all around! I've had several A&K's, Sony WM1A &1Z, Sony ZX507, Fiio's.,.. overall sound quality and OS speed, battery life make this easily the best value under 2K, in my opinion. The quality of your files (flac or dsd) and the right IEMs or headphones also make the difference, as with any.
Really happy with this purchase, recommend it over A&K, Sony, and Fiio. As soon as I discovered Lotto is a big brand overseas that produces various pro-audio and related items, as well as being the producer of the (legendary) PAW Gold/Touch I decided to try my luck.
So--- A++ build quality, FAST OS (and so easy), great battery life, GREAT EQ! (Spend time with the EQ - it is very configurable), Excellent sound quality (++ better than the AK Cube imo), Gain works great, LINE Out is a plus. I can plug it into my Carver M I AMP with the 4.4 line-out... background and spaces between tracs are just as black as with iem's - never had that with any other DAP.
Received January 31, today is February 4 - ~30 hours on this player already - excellent! I may go for the Gold/Touch soon, if it's that much better than the P6000 I'd guess it is the Reference Player of all.
Lotoo P6000 - CA Andromeda's - Sony Kimber balanced 4.4 cable
Could not have had a better experience with this firm. Professional, quick and very helpful after the sale.
purchased the Canpur CP74E to fill a specific role in my collection. I already had the Elysian Apostle 2026 as a balanced daily driver and the Meze ASTRU as a warmer, more organic option. What I wanted from the CP74E was something more analytical and revealing, but still natural, cohesive, and enjoyable for extended listening.
The CP74E has delivered exactly that.
Its strongest quality is instrumental realism. On Lupe Fiasco’s “What It Do,” strings sound more convincing and more grandly performed than they do on Apostle. The difference is not just additional detail. The CP74E presents the instruments with a more believable sense of texture, scale, and physical presence.
The staging also works well for the role I wanted it to play. It feels wide without becoming artificially distant or hollow. There is enough depth and separation to study a recording, but the presentation remains intimate enough to preserve musical engagement. To be clear, this is not the IEM for those looking for hyper-separation and super-technicality. It aims to be natural in its presentation.
Bass is disciplined rather than exaggerated. It has solidity, punch, and a clean in-and-out quality. It does not overwhelm the mids or turn the IEM into a bass-focused experience. Listeners looking for heavy sub-bass rumble or a club-like presentation may want something else, but the CP74E’s low end is very well judged for a reference-natural tuning.
The midrange is cohesive and lifelike, which matters greatly to me because I listen to a lot of vocals, strings, horns, and percussion-heavy recordings. Treble remains controlled and clear without becoming sharp or fatiguing. The overall presentation is resolving, but not sterile.
Fit improved further with wide-bore tips. In my experience, they slightly reduced bass quantity, expanded the apparent stage, and helped separate percussion more naturally. That tradeoff worked well for my preferences.
The CP74E is not trying to create the largest stage, the thickest bass, or the most dramatic flagship effect. Its appeal is more mature than that. It is an analytical IEM for listeners who still prioritize naturalness, cohesion, and long-term enjoyment.
For my collection, it has become the ideal reference-natural analytical complement to Apostle and ASTRU.
Brilliant! I have both. I have been deep down the cable rabbit hole including PW Meet Agains Shielding, First Times Shielding, First Times re, 1950's Shielding, and Attila among many others and these are now by some margin my favorites. They are indeed quite different while sharing the same DNA. If you have any questions I can be found on Head-Fi under Bjorn154.
This IEM took me a while to write about. I extremely enjoy the ME, enough that it finally dethroned the Jewel for my personal taste. The ME has a great W sound signature, everything is where it belongs without any one frequency becoming offensive. Just enough bass presence to make every genre sound great without getting too heavy handed. This is where the ME surprised me, amazing texture and you feel deep notes that you can barely hear. I’ve never heard notes on an IEM this deep into the frequency range, still not sure if I hear them or just feel them. Bass is well layered and better layered, textured than any IEM I’ve heard. If you’re a bass head this IEM has great extremely detailed bass with just the right amount, it’s not over the top and does not extend into the vocal range. When called for the bass can really feel and sound like a floor standing sub woofer is in your ear. While the bass in other sounds can sound soft and perfectly textured with extreme details and separation in bass like I haven’t heard before. Mids are well placed in the mix and extremely well detailed with a touch of warmth. They have great separation and clarity. With the bass presence the mids are not pushed back into the mix and not masked or overly warm. They are still fairly close to neutral, just enough warmth and weight to sound natural. Vocal range is clean, well detailed with just the right amount of weight, texture, tone. Male and female vocals are on equal plane which I find less common in today’s iems. The treble is where some people may split opinions. For myself it’s pretty close to perfect like the Jewel, it’s all there, very well detailed but everything is a touch softer and non offensive. Treble doesn’t sound harsh, sharp or thrown in your face but more naturally there. I understand for some genres like EDM some people like a more sharp in your face treble for myself that type of peaky treble is harsh for long listening. The ME is easy to enjoy for long periods fatigue free and plays well with good and bad recordings making everything sound very enjoyable. For my taste this was the Jewel and the ME now replaces it with better bass while keeping the rest of the frequency range I loved in the Jewel. The ME has a little deeper stage than the Jewel and similar in width, great size, not the largest I’ve heard but great for a W sound signature, most with larger sounding stages tend to come with recessed vocals. Details have plenty of space between notes. It’s so well tuned it sounds great at low volumes and high volumes, keeping good dynamics at low is a feat, everything is present and no fatigue. Big bonus is the ME comes with a great cable and doesn’t require an upgrade. The cable is extremely well matched to the ME. Lastly the build quality is quite lovely in person, light weight, small for the number of drivers and comfortable. The supplied accessories are excellent, from exterior case to tip case to travel tip case and travel suede case. Best APX to date. It really takes analog sound I enjoy to the next step.